My grandmother was a generation who experienced so difficult and painful times such as the Japanese Colonial Period and the Korean war, which were the dark ages of Korea.
At that time, it was not easy for women to learn letters properly. Most of them had to do housework, got married at an early age and lived for their in-laws, husbands and children.
My grandmother passed away 20 years ago. She learned “Hangeul” when she was in her late sixties, and she could read and write. She said she was very happy to be able to do that. “Hangeul” is my country letter. It is scientific and original. 14 consonants and 10 vowels are combined to form letters.
I keep one of her pencils that she used at that time. Every time I see the pencil, I miss her. Thanks to her, I think I have lived without many difficulties. So, My grandmother’s pencil and Hangeul seem like a heritage to me.
In this time I intend to work with the motif of Hangeul, which she learned at a late age.
The love of a woman for her family, and commitment to attending to their needs offers little time for personal growth. I am honoured to meet your grandmother through your work, and cannot wait to learn more about her focus on “Hangeul” and her life.
This cherished life reflection could take a lifetime to create pieces of moving art. Your memories have so many avenues to explore. How exciting. One piece of art is inspiring. A series would be empowering. It continues the knowledge that slavery is not a black and white issue. It is also filled with stories within just what you’ve shared here.
What a fascinating idea! I love that you will work with this tangible memory of your grandmother, so excited for the result!
Your Grandmother sounds amazing. I can’t
wait to see what you do.